The System Approach and Design
(Proceedings pages 1–1)
Visual and Logical Beauty in Mathematics
(Proceedings pages 2–2)
Quantum Sculpture: Art Inspired by the Deeper Nature of Reality
(Proceedings pages 3–10)
Models of Surfaces and Abstract Art in the Early 20th Century
(Proceedings pages 11–18)
Expressions, Assemblages and Grammars
(Proceedings pages 19–26)
Branching Miter Joints: Principles and Artwork
(Proceedings pages 27–34)
Poetry Inspired by Mathematics
(Proceedings pages 35–42)
Types of Repetition and Multistable Perception in the Frieze Patterns on the Marble Pavement of the Cathedral of Siena
(Proceedings pages 43–50)
Mirrors and Spheres: The Geometry within the “Tall Tree and the Eye”
(Proceedings pages 51–58)
Compositional Constraints of Simultaneous Color Contrast: Toward a Classification of Types
(Proceedings pages 59–66)
Tiled Torus Quilt with Changing Tiles
(Proceedings pages 67–74)
About Weaving and Helical Holes
(Proceedings pages 75–84)
My Search for Symmetrical Embeddings of Regular Maps
(Proceedings pages 85–94)
Curve Evolution Schemes for Parquet Deformations
(Proceedings pages 95–102)
Some Three-dimensional Self-similar Knots
(Proceedings pages 103–110)
Strip Symmetry Groups of African Sona Designs
(Proceedings pages 111–118)
Interactive Exploration of Corporate Logos: From Mercedes Benz to Sea Creatures
(Proceedings pages 119–126)
Vasarely's Work—Invitation to Mathematical and Combinatorial Visual Games
(Proceedings pages 127–134)
Bourgoin's 14-Pointed Star Polygon Designs
(Proceedings pages 135–142)
On Generating Dot Paintings in the Style of Howard Arkley
(Proceedings pages 143–150)
Geometric Tools for the Magic Woodcarver
(Proceedings pages 151–158)
Imaginary Cubes—Objects with Three Square Projection Images
(Proceedings pages 159–166)
Design by Subdivision
(Proceedings pages 167–174)
Artformer Geometry
(Proceedings pages 175–182)
Creating and Modifying Images Using Newton's Method for Solving Equations
(Proceedings pages 183–190)
Using Mathematics in Art
(Proceedings pages 191–198)
Regular Polyhedral Lattices of Genus 2: 11 Platonic Equivalents?
(Proceedings pages 199–206)
Early Modern Art Layouts in Breuer's Design
(Proceedings pages 207–214)
From the Angle of Quasicrystals
(Proceedings pages 215–222)
Gauss, Bolyai, Lobachevsky—in General Education? (Hyperbolic Geometry as Part of the Mathematics Curriculum)
(Proceedings pages 223–230)
A General Procedure for the Construction of Mirror Anamorphoses
(Proceedings pages 231–238)
Art with a Double Meaning
(Proceedings pages 239–246)
Expanding the Mandelbrot Set into Higher Dimensions
(Proceedings pages 247–254)
Swhirling Squares: A Simple Math Flip-Book Animation
(Proceedings pages 255–262)
Brunnian Weavings
(Proceedings pages 263–270)
Eureka and Serendipity: The Rudolf von Laban Icosahedron and Buckminster Fuller's Jitterbug
(Proceedings pages 271–278)
Projection of Point Sets to a Lower Dimension with Applications in the Arts
(Proceedings pages 279–286)
The Vitruvian Figure of Eight
(Proceedings pages 287–292)
A Fractal Celtic Key Pattern?
(Proceedings pages 293–298)
Biblical Cantillations
(Proceedings pages 299–304)
Some Possibilities of Russian Combinatorial Literature
(Proceedings pages 305–310)
Amateur and Pioneer: Simon Stevin (ca. 1548–1620) about Music Theory
(Proceedings pages 311–316)
30 Cubes on a Rhombic Triacontahedron
(Proceedings pages 317–322)
On Growth, Form and Yin-Yang
(Proceedings pages 323–328)
Everything is Number—Mathematics Meets Arts
(Proceedings pages 329–334)
Viruses and Crystals: Science Meets Design
(Proceedings pages 335–340)
Geometrical Representations of North Indian Thāts and Rāgs
(Proceedings pages 341–346)
Hyperbolic Vasarely Patterns
(Proceedings pages 347–352)
Specialties of Models of the 6-dimensional Cube
(Proceedings pages 353–358)